". . . little shall I grace my cause

In speaking for myself. Yet, by your gracious patience,

I will a round unvarnish'd tale deliver . . ."

(William Shakespeare's Othello, I.iii.88-90)

Showing posts with label Homeschooling. Show all posts
Showing posts with label Homeschooling. Show all posts

Monday, September 5, 2016

Seventh Grade


For my fellow homeschoolers, here's what Evan and I have planned for seventh grade.

Bible/Catechism - The next couple of months will be spent preparing for Confirmation! Evan recently completed all his required sermon reports (yay!) and is now studying for his Confirmation test. This weekend he is going on an overnight retreat with his class. Confirmation here coincides with the celebration of Reformation. Evan also turns 13 on October 29 (wowzers), so we are planning a combined birthday/Confirmation party for the end of October. After Confirmation I would like to start a home Bible study that we can do together--maybe a book of the Bible using one of CPH's People's Bible Commentary series.

Grammar - Rules of the Game. I know this series has been around forever and is a staple for homeschoolers. I had never looked at it before. I like the inductive method it employs, prompting the student to look for patterns and then figure out the rule from the pattern. The first book looks to be quite a bit of review of what we have already studied, but I decided to start with it anyway and just go rapidly through the stuff we know until we get to the stuff that's new. There are three books in all.

Handwriting - Evan still prints unless I make him do otherwise. He can copy cursive and make it look nice, but he doesn't use it naturally. I am hoping this year to have him make the transition to using cursive in more of his written work. We are still working our way through last year's handwriting curriculum, 44 U.S. Presidents, Zaner-Bloser style.

Vocabulary - We didn't like Memoria Press's Roots of English. The chapters seemed to drag on, the pages were too busy, and the amount of information overwhelming. This year we are switching to Vocabulary from Classical Roots. So far, so good.

Math - Finishing up Teaching Textbooks 6, moving on to Teaching Textbooks 7. I love this curriculum as it is computer based and requires almost nothing from me. Evan likes it, is doing well, and it is self-grading.

History - Given the events of last year (house purchase, move, death of my mom) we did not complete everything we set out to do, including Volume 4 of A Child's History of the World. But I've decided we can revisit that time period (20th century) within the scope of U.S. history, so this year we are going to do a rapid run through American history using this series from Angela O'Dell. The series is a conversational in tone and makes for easy reading. My goal is not to get too deep in the weeds but just to have Evan get an over-arching sense of the big picture of American history and a command of the major dates. He is reading on his own and constructing a timeline as he does so. Next year we'll do the same thing for world history. Then in high school we can do some more in depth study of the how's and wherefore's of it all.

Geography - A neglected area in our homeschool so far. We're going to start with the basics in Charlotte Mason's Elementary Geography. After that, I'm not sure. Stay tuned!

Computers - We are still working our way through KidCoder. Hope to finish by Christmas and go on to the game design book.

Science - This year we are going to use the series by John Hudson Tiner, starting with Exploring Planet Earth. 

Reading - In addition to readalouds and novels, we're going to use a school reader, published by Macmillan, that I picked up somewhere along the way. I am not sure of the exact grade level but judge it to be junior high content. It has poetry, fiction and non-fiction from a variety of sources plus a number of language-oriented lessons on things like dictionary usage, figurative language, logic, and the like.

My plan of incorporating some sort of art instruction last year was a big bust. We will try again this year, beginning with some lessons from the classic, Drawing with Children.

In addition to the above, Evan will have P.E., piano, organ, and French (Evan's first year) taught by Dad. We're going to keep this kid busy this year!

Friday, June 24, 2016

How to Survive the Homeschool Expo: Introvert Edition

1. Check in at registration desk and get packet of goodies.

2. Head over to vendor hall.

3. Quickly circle vendor hall, avoiding all eye contact.

4. Exit vendor hall.

5. Decide you really need to get some groceries for the folks back home. What were you even thinking, leaving them all alone for an entire hour? Poor souls are probably starving by now!

6. Drive to grocery store, buy groceries, and drive home.

7. Verify everyone at home is still alive. Put away groceries, make cup of coffee, and settle down in comfy chair with bag of goodies and conference brochure.

8. Eat a healthy lunch so as to build up strength for the afternoon.

9. Head out to try again. You can do this! You're a mighty homeschool mom!


Don't mind me--I'm just gonna hang out here in my shell a while. 

Photo from David DeHetre/Creative Commons. 

Friday, August 21, 2015

It's That Time of Year

What time? Back to school time! Here's our plan for sixth grade.

Bible study - Confirmation class at church and Treasury of Daily Prayer at home.

Language Arts - Language Lessons for the Secondary Child, Volume 1 (a Charlotte Mason approach from Sandi Queen)

Handwriting (yes, we still do it in our school) - 44 U. S. Presidents, Zaner-Bloser - Learning about the presidents while continuing to develop cursive writing. We probably won't get all the way to the end, and that's okay. :-)

History - Story of the World, Book 4 (Modern Age)

Vocabulary/Foreign Language - Roots of English, Memoria Press - Latin and Greek roots

Math - Teaching Textbooks 6

Science - I have not purchased a science curriculum this year and don't plan to. Instead we are going to draw on books already on the shelf, including some science biographies and encyclopedias and the creation-based It Couldn't Just Happen. The one new book I did order is this fun looking one about the periodic table. 

Art - I am not artistic so as a homeschool parent have always struggled with this. When my adult children were younger we addressed the need with outside classes. That has not really happened with Evan. But I do want him to have some hands-on art, so rather than try to find (and pay for) a class that will work with our schedule, I am going to teach him myself this year (don't laugh). Again, we have plenty of resources already on the shelf, including Let's Meet Famous Artists, 20 Art Lessons, The Big Yellow Drawing Book, Drawing with Children, and several books in the 1-2-3 Draw series. I'll probably pull some lessons from all of them. Hey, I said not to laugh.

Applied music - Seismic change here this year. Evan will transition from piano lessons with Mom to piano lessons with Dad. Gulp. Things are getting serious! The fact of the matter is that Mom is not as demanding as Dad (surprise, surprise). Mom does make a pretty good practice coach, though, and that will continue. Organ lessons, which began with Dad this year, will also continue. And of course, choir. Always choir.

Music listening - Another neglected area (sigh). We are going to do some listening to both folk music (I Hear America Singing and Reader's Digest Children's Songbook) and classical music (Meet the Great Composers and Lives of the Musicians). I think I will also draw on the excellent list my friend Susan developed not too long ago.

Physical education - Swimming class once per week at the local swim school, and youth bowling league on Saturday mornings at the local bowling alley. Since I work most Saturday mornings, Dad will be overseeing the latter, starting tomorrow. Evan can't wait.

Coding - Evan loves video games. I mean, he really loves video games. He has also shown some interest in coding and game design. Last year we tried Khan Academy's programming course but ran into some frustrations that led to waning interest. But I would like to encourage what seems to be Evan's natural aptitude in this area. So we are going to try a CD-based course called KidCoder that was developed by some fellow homeschoolers. Here's a review from another blogger.

Last but not least, of course, will be assorted readalouds throughout the year. We'll figure those out as we go, but one will definitely be a biography of Martin Luther during the month of October. :-)

Tuesday, April 28, 2015

Learning Has Nothing to Do with Age

Evan started swimming lessons last week. He has taken lessons before and has some basic skills but is behind where most kids are by this age. This is largely due to the fact that we are not a big swimming family. Nor are we a big soccer family, a big baseball family, or a big [fill in the blank with the physical activity of your choice] family. We have always tried to have our kids do something physical, but jocks we are not and never will be.

For lessons we are going to a local swim school that offers classes during the day all year long. Evan is taking class twice per week. One of the classes is made up of him and three adorable, tiny little girls that barely come up to his belly button. When Evan and his classmates climb out of the pool to walk to the diving board it looks like a scene out of Gulliver's Travels. The other class has several boys that are a tiny bit bigger, but not much. In fact, Evan is by far the oldest child in the entire place both days that we go to class.

Evan has not uttered a single word of concern about being in a class with younger children. I don't think it has occurred to him that some kids might be bothered or embarrassed about the situation. I attribute this to homeschooling. He simply does not equate learning with age but understands that people learn at different paces and different times according to their readiness and their circumstances. This comes of growing up in a house where different-aged people learn together all the time and where it is not unusual for someone younger to be "ahead" of someone older. (Exhibit A: his mother, who is still trying to learn the Small Catechism that his brother and sister mastered years ago.)

Let's hear it (again) for homeschooling.


Wednesday, April 22, 2015

National Poetry Month, Day 12

A literary technique that is commonly used in both poetry and prose is that of symbolism. A symbol is something that has both literal and figurative meaning. In other words, a symbol is both an actual physical object and something else that it stands for. It is different from a metaphor or simile because it is not a comparison between two things but instead a single thing with multiples levels of meaning. Some symbols are fairly obvious, easy to understand, and common to many writers. For example, the color white is often used to symbolize purity or innocence, while black may represent evil or death. A seed may represent hope, and a tree strength. Below are some things that could be used to represent other things. What might each symbolize?

a clock
the color red
rain
a snake
a cave
a house

Bonus word: a symbol that recurs over and over with the same meaning is an archetype. An archetype is so common to the human experience that we hardly even think of it as a symbol and we almost universally associate the object with its symbolic meaning. 

One of the most famous poems ever written is "The Road Not Taken" by Robert Frost. What is the main symbol in this poem? What does it stand for? Do you think it's an archetype?

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

The Brook in the Woods, Theodore Clement Steele (1889)

An interesting piece of trivia about "The Road Not Taken" is that, while readers tend to interpret it as a serious reflection on an important decision, Frost is said to have written it to tease a friend of his, another poet named Stanley Burnshaw who was having a hard time making up his mind about something. Is there anything in the poem that might suggest it is not completely serious?

Friday, April 17, 2015

National Poetry Month, Day 11

The last lesson contained an example of a quatrain-- a stanza form consisting of four lines that rhyme in some sort of pattern. In an earlier lesson we studied couplets. These are just two of many options for giving structure and form to poetry. But there is also a type of poetry that does not adhere to any formal guidelines. Instead of being organized into regular stanzas and utilizing meter and rhyme, it is "free" from them and so is called free verse. Due to the lack of rhyme and meter, free verse may not even sound much like poetry when it is read aloud. What sets it apart from prose (non-poetical language) is that it still draws on many other poetic techniques such as intensity and conciseness of expression, figurative language, and a greater emphasis on creating an experience for the reader than on communicating information.

Some people think that free verse is a cop-out--that it is a way of making the writing of poetry easier, since the poet doesn't have to make his message fit within a certain framework. It could be argued, however, that the lack of rhyme and meter means that free verse puts other demands on the poet. Because the poem is not unified by rhyme and meter, it is perhaps even more important that it be unified by other poetic elements.

Below are two poems about the grass. One is in free verse, and one is not. Which is which? Which one do you like better?


In the Grass - Berthe Morisot (1841-1895)

"Spring Grass" - Carl Sandburg

Spring grass, there is a dance to be danced for you. 
Come up, spring grass, if only for young feet. 
Come up, spring grass, young feet ask you. 

Smell of the young spring grass, 
You're a mascot riding on the wind horses. 
You came to my nose and spiffed me. This is your lucky year. 

Young spring grass just after the winter, 
Shoots of the big green whisper of the year, 
Come up, if only for young feet. 
Come up, young feet ask you.


"The Grass" - Emily Dickinson

The Grass so little has to do –
A Sphere of simple Green –
With only Butterflies to brood
And Bees to entertain – 

And stir all day to pretty Tunes
The Breezes fetch along –
And hold the Sunshine in its lap
And bow to everything – 

And thread the Dews, all night, like Pearls –
And make itself so fine
A Duchess were too common
For such a noticing – 

And even when it dies – to pass
In Odors so divine –
Like Lowly spices, lain to sleep –
Or Spikenards*, perishing – 

And then, in Sovereign Barns to dwell –
And dream the Days away,
The Grass so little has to do
I wish I were a Hay – 

* a spikenard is a type of herb

I'm sure you figured out that the first poem is in free verse. But even though it sounds rather speech-like, it is very different from prose. Can you identify some of the ways? How does Sandburg help you to experience the grass? What sense words (imagery) and metaphors can you find? Without rhyme and meter, what is used to give the poem form?
  
What type of stanza does Dickinson use in her poem? (quatrain) What is the grass compared to? Why do you think certain words are capitalized? Why would the speaker rather be hay than grass?

(Note: My initial plan was to post a simple poetry lesson in observance of National Poetry Month every week day during April. I have already failed in that plan and will probably continue to do so, but I plan to keep posting as frequently as possible in case there is anyone reading and also to keep me on track with the student in my house!)

Tuesday, April 14, 2015

National Poetry Month, Day 9

Today let's write some similes and metaphors. Remember, a simile is a stated comparison between two unlike things, and a metaphor is an implied comparison. The example illustrates the difference.

Getting a hug from a friend is like being wrapped in a soft, warm blanket. (simile)
Her hug covered my cold, sad heart in a blanket of warmth and love. (metaphor)

Both expressions compare a hug to a blanket, but the first one comes right out and states it, while the second one only suggests it.

Below are some ideas of things to describe . Pick one or two (or think of your own) and try to write both a simile and a metaphor for each. Start by thinking about the thing you want to describe. What does it look/smell/sound like? How does it make you feel? Then think of what you could compare it to to communicate those things. It may take a few tries to come up with the best combination of words to express what you want. Don't give up! Write down whatever you think of, and then keep adding to it, experimenting, and changing it until you have something that you like. (The most important thing about writing is to just do it. If you wait until you have it perfect in your head before writing it down you'll never get anywhere!)

a happy baby
a baby having a temper tantrum
your pet or another animal
your brother or sister
your house
your bedroom
your best friend
your mom when she's mad at you
your dad when he's proud of you
school
church
your favorite subject
your worst subject
playing outside
running
jumping on a trampoline
swimming
flying in an airplane
playing your favorite video game
singing
playing an instrument
writing
money
your favorite food
a food you hate

Now that you've written some similes and metaphors, look them over. Which one is your favorite? Why?






Monday, April 13, 2015

National Poetry Month, Day 8

Let's be a metaphor detective today. Read the following short poems and see if you can figure out what the metaphor, or implied comparison, is. What is being compared in each poem?


"Good Night" - Victor Hugo

Good night! Good night!
Far flies the light;
But still God's love
Shall flame above,
Making all bright.
Good night! Good night!


"April Rain Song" - Langston Hughes

Let the rain kiss you.
Let the rain beat upon your head with silver liquid drops.
Let the rain sing you a lullaby.

The rain makes still pools on the sidewalk.
The rain makes running pools in the gutter.
The rain plays a little sleep-song on our roof at night.

I love the rain.


"Dandelion" - Hilda Conkling

O little soldier with the golden helmet,
What are you guarding on my lawn?
You with your green gun
And your yellow beard,
Why do you stand so stiff?
There is only the grass to fight!


"Skyscrapers" - Rachel Field

Do skyscrapers ever grow tired
Of holding themselves up high?
Do they ever shiver on frosty nights
With their tops against the sky?
Do they feel lonely sometimes
Because they have grown so tall?
Do they ever wish they could like right down
And never get up at all?


"The Horses of the Sea" - Christina Rossetti

The horses of the sea
Rear a foaming crest,
But the horses of the land
Serve us the best.

The horses of the land
Munch corn and clover,
While the foaming sea-horses
Toss and turn over.


If some of the words in the next poem are a little difficult to understand, look them up in a dictionary or ask for help understanding the ones you don't know.

"There is No Frigate Like a Book" - Emily Dickinson

There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul! 



There is a special type of metaphor known as personification. When you use personification you give human characteristics to things that aren't human in order to describe them more vividly. Are any of the metaphors in the poems above examples of personification?




Thursday, April 9, 2015

National Poetry Month, Day 7

One of the most effective ways to describe something is to compare it to something else. Not only do poets do this, but we do it in real life. Sometimes we state the comparison clearly by saying something is like something else. In that case, the comparison is called a simile. (We might use the word "like" or "as" or we might use a different word, but it's still a simile.) Other times we imply or suggest the comparison rather than state it. In that case, it's called a metaphor. See the example below. Both sentences compare a person's face to the sun (or some other light source), but the first one states the comparison while the second one only implies it.

Her face was shining like the sun. (simile)
Her face shone with joy. (metaphor)

Here's a short poem that is based completely on one metaphor. What two things are being compared?

Monet, The Houses of Parliament Series
(Effect of Fog)


"The Fog"
Carl Sandburg


The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.





Notice that the poem never says that the fog is like a cat or similar to a cat. It says the fog is a cat.

We'll talk more about metaphors and similes tomorrow. Today, try to listen for both and write a few down. You may be surprised to hear we use them all the time!


Wednesday, April 8, 2015

National Poetry Month, Day 6

One of the most famous uses of imagery in poetry is this poem by William Carlos Williams:

Farm Girl Feeding Chickens, Julien Dupre*

"The Red Wheelbarrow"

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens



The poem paints a vivid but simple scene. People have been studying it for years, wondering what exactly depends on the red wheel barrow. What do you think the answer is? Why do you think the poem has no capital letters and no punctuation?

One popular poetic form that greatly depends on imagery is the haiku.** Maybe you have written one before. A haiku is a three-line poem about nature. It is Japanese in origin. It is simple but presents a powerful image. The first and third lines have five syllables each; the second line has seven syllables. Here is an example of a haiku in the original Japanese:

Furuike ya 
kawazu tobikomu 
mizu no oto

by Matsuo Basho***


There are various English translations of this poem. Some translators don't try to maintain the syllables but just focus on trying to translate as closely as possible. For example, here is a translation by Robert Hass:

The old pond--
a frog jumps in,
sound of water.


Other translators attempt to maintain both the content and the syllables. Here is a translation by Dion O'Donnol.

The silent old pond
a mirror of ancient calm,
a frog-leaps-in splash.

Which translation do you like better?


Today, try writing your own haiku. If you would like to write about something besides nature you can do so, but then it is called a senryu. Have fun!

Notes: 
*I couldn't find a public domain image of a red wheel barrow but if you look for one you will find zillions because so many artists have been inspired to create one!
**"The Red Wheelbarrow" is not a haiku but is similar in presenting a simple but vivid picture.
***Thank you to Famous Poets and Poems for the original version and translations of "The Old Pond." 



Tuesday, April 7, 2015

National Poetry Month, Day 5

What do you think of when you hear the word "image"? A picture, perhaps? Or maybe a reflection, as when you see your image in the mirror?

In poetry, imagery is not only language that helps to create a picture in your mind but language that appeals to any of the five senses: sight, hearing, touch, taste and smell. Poets use imagery because they don't just want to tell you about something--they want to help you actually experience it as they have.

Here is a poem about Easter by Celia Thaxter. What words help you to see, smell, and hear Easter morning? To what object are the Easter lilies compared?

"On Easter Day"

Easter lilies! Can you hear
What they whisper, low and clear?
In dewy fragrance they unfold
Their splendor sweet, their snow and gold.
Every beauty-breathing bell
News of heaven has to tell.
Listen to their mystic voice,
Hear, oh mortal, and rejoice!
Hark, their soft and heavenly chime!
Christ is risen for all time! 


Now let's back up a little. Do you see any alliteration, assonance, or consonance? If so, what words or images seem to be emphasized by the repetition?

Also, did you notice this poem is written in couplets?

Here's another poem with plenty of imagery. What words help you to see, hear, and feel the month of April? Is there any alliteration, assonance or consonance in this poem?

"April" - Sara Teasdale

The roofs are shining from the rain. 
The sparrows twitter as they fly, 
And with a windy April grace 
The little clouds go by.

Yet the back-yards are bare and brown 
With only one unchanging tree-- 
I could not be so sure of Spring 
Save that it sings in me. 




Sunday, April 5, 2015

National Poetry Month, Day 4

One of the things that sets poetry apart from prose is the emphasis placed on the sound of the words. Meter and rhyme, which we already discussed, are two aspects of that. Another is alliteration. Alliteration is the repetition of the beginning sounds in a group of words. Tongue twisters are a great example of alliteration:

Peter Piper picked a peck of pickled peppers.
She sells seashells by the seashore.

What is the point of alliteration? Why do poets use it? In poetry, sound effects are used to emphasize or bring attention to the meaning the poet wants to convey. For example,

The slimy, hissing snake slithered sneakily through the grass.

Do you notice all the s's? They help us to imagine the snake even more. We can almost hear it hissing!

Related to alliteration are two other devices: assonance and consonance. They are both like alliteration in that they involve the repetition of sounds, but instead of coming at the beginnings of words the repeated sounds are contained within words. Assonance is the repetition of vowel sounds, and consonance is the repetition of--you got it!--consonant sounds. Can you find assonance and consonance in the example above? (Assonance: hissing, slithered, sneakily; Consonance: hissing, grass)

Boy, that's a lot of terms. Don't worry if you can't remember them all. Just remember that poetry is meant to be spoken, so poets choose their words not only for what they mean but for how they sound, and one of their most basic tools is repetition.

Try using alliteration, assonance and consonance by writing a tongue twister about yourself or someone you know. It can be pretend or real, serious or silly. Here's one I wrote. What vowel and consonant sounds, both at the beginnings of words and within words, do you see repeated?

Cheryl shared her sherbet with the thirty-three shrill chefs. 

Thursday, April 2, 2015

National Poetry Month, Day 3

One of the oldest and simplest poetic forms is the couplet. A couplet is made up of two metrical lines that rhyme and that express a complete idea. The first verse of "Jesus Loves Me" is made up of two couplets.

Jesus loves me, this I know,
For the Bible tells me so.
Little ones to Him belong,
They are weak but He is strong.

Here are a few couplets by famous authors. What do you think they mean?

Good night, good night. Parting is such sweet sorrow
That I shall say good night till it be morrow.
(William Shakespeare, from Romeo & Juliet)

For all sad words of tongue or pen,
The saddest are these: "It might have been!"
(John Greenleaf Whittier, from "Maud Muller")

The world is so full of a number of things
I'm sure we should all be as happy as kings.
(Robert Louis Stevenson)

Here are some silly couplets.

The Lord in His wisdom made the fly
And then forgot to tell us why.
(Ogden Nash)

I have the measles and the mumps,
a gash, a rash, and purple bumps.
(Shel Silverstein)

Do you have any Dr. Seuss books? Dr. Seuss wrote almost completely in couplets. Can you think of a couplet from your favorite Dr. Seuss book?

Today, let's try to write a couplet. Pick a person, a food you love or hate, an animal (maybe your pet), or something else, and see if you can write a couplet about it. Maybe you can write more than one!

Wednesday, April 1, 2015

National Poetry Month, Day 2

Sometimes people think of poetry as being alien and hard to understand. But some of the first poems you probably ever heard were simple nursery rhymes like this one:


Hey, diddle, diddle,
The cat and the fiddle,
The cow jumped over the moon;
The little dog laughed
To see such sport,
And the dish ran away with the spoon.
(Mother Goose)


One of the things children like about nursery rhymes is their songlike quality. They are easy to learn and remember because they have rhyme and meter. Rhyme and meter are not essential to a poem (yesterday’s poem had neither!), but they are two of the things we most closely associate with poetry.

Rhyme occurs when words end with similar sounds; meter occurs when the rhythm follows a pattern, resulting in a regular “beat.” What words rhyme in “Hey, Diddle, Diddle”? (diddle and fiddle; moon and spoon) Try saying “Hey, Diddle, Diddle” while stomping on the strong beats and clapping on the weak beats. Can you describe the pattern? (strong-weak-weak, strong-weak-weak, etc.)

Here’s another nursery rhyme. What is its beat pattern (meter)? Stomp and clap again to figure it out.

Jack and Jill went up the hill to fetch a pail of water.
Jack fell down and broke his crown, and Jill came tumbling after.
(strong-weak-strong-weak, etc.)


Do the last words of the two lines in “Jack and Jill” rhyme? (Not exactly.) Do they sound a little alike? (Yes.) This is called slant rhyme. Slant rhyme is also sometimes called near, half, or approximate rhyme.


What are some other nursery rhymes you remember from when you were younger? I bet you can think of quite a few! Today, see if you can find an old Mother Goose book on your bookshelf and read some more just for fun!

Post images courtesy of Project Gutenberg. 

Tuesday, March 31, 2015

National Poetry Month, Day 1

To begin, let's talk about poetry. What is it? What makes a poem? (Possible answers: intensity and economy of expression, strong appeal to senses, figurative language, rhyme, rhythm, division into lines and stanzas, meant to be read aloud.)

Even if you don't read a lot of poetry, you encounter poetry all the time in real life. Can you think of some places that we often see or hear poems? (Possible answers: Bible, hymns, songs on the radio or television, greeting cards.)

Let's read a poem about poetry.

    "How to Eat a Poem" - Eve Merriam
    Don't be polite.
    Bite in.
    Pick it up with your fingers and lick the juice that
    may run down your chin.
    It is ready and ripe now, whenever you are.You do not need a knife or fork or spoon
    or plate or napkin or tablecloth.
    For there is no core
    or stem
    or rind
    or pit
    or seed
    or skin
    to throw away.

Is this what you usually think of when you think of poetry? Why or why not? (Answer may be no since there is no rhyme or meter.) What makes this a poem? (Possible answers: it is written in lines rather than paragraph form. It creates a picture in your head. It makes a vivid comparison.)
What is the comparison in this poem? (A poem is compared to a piece of fruit.) According to the poet, how is a poem like a piece of fruit? (You have to "bite" into it with enthusiasm. It is juicy and flavorful.) How is it different? (There is nothing to throw away.) Do you like this poem? Why or why not?

As we continue through our month of poetry, be thinking about what you think makes a good poem. Look for poetry in everyday life. Keep a journal for the month where you write down any thoughts you have about poetry, poems you like, and poems you write. Have fun!

Monday, March 30, 2015

National Poetry Month

April is National Poetry Month! Thus far I have not done much formal poetry study with my last remaining homeschool student, so now seems as good a time as any to rectify that situation. To that end, we will be observing National Poetry Month here at the Philipp Nicolai Lutheran Academy by doing something poetry-related every weekday during the month of April. My plan is to post each day's activity here for anyone who would like to join in. You are also invited to share your own ideas or report on what you are doing (or have done in the past) in your own home school. I do not intend for this to become a stressful or burdensome process, so the activities will be short, sweet, and--I hope--fun. They will be designed for elementary level children who are not terribly excited about poetry because that is what I have in my house. :-)

I will try to post each day's activity the night before, which means the first post will be tomorrow, March 31. Hope to see you back here then!

Monday, February 16, 2015

Snow Day

This is what happens when you're homeschooled and your mom gets a day off from her tutoring job due to the weather. Some Snow Day, huh? Poor Evan. :-)


A few more scenes from our Oklahoma-style Snow Day. (Pretty mild compared to what many of you have experienced this winter, but from what I understand from some local friends who have been out driving today, the roads are quite hazardous. We just don't handle ice and snow here the way y'all do in the North and Midwest!)




Stay warm and be safe, everyone!

Friday, October 10, 2014

Since I Last Stopped By

Oh, my poor, neglected blog. I bet you thought that I had left you for someone else. But I would never do that. I have just been busy.

These days in addition to all the usual mom/daughter/wife stuff, I am tutoring at Sylvan Learning Center about three half days per week, accompanying two church choirs, and spending one day per week accompanying for a local middle school. My insomnia, which seemed to have gone into remission for a while, is back. Why is it that rest is hardest to come by when you most need it? I am reminded of this cartoon I have seen a few times on Facebook (please note that "laying" in the last frame should be "lying." But I digress.):



Um, yeah. The other day Evan (my ten-year-old) told me, "Don't worry about school today, Mom. You need your rest." Since I do need my rest, I almost took him up on it, but my Responsible Self won out. Nice try, honey.

Our homeschooling year is progressing pretty well so far. We are loving the handwriting curriculum. We have not worked in a swimming class yet. I need to get that done.

My big kids are thriving and blossoming and doing amazing things away at college, and I am thrilled for and proud of them beyond words. This is what parenting is all about--seeing them soar. If anyone ever asks me what good I ever contributed to the world I need only point at my children. They are, all three of them, better people than I, and that makes me happier than I can say.

My mom has been diagnosed with a squamous-cell carcinoma on her foot, also known as Bowen's Disease. A new journey begins.

It was a beautiful summer in Oklahoma, and is shaping up to be a beautiful fall. We are thankful.

I started reading The Hammer of God.

Peri-menopause is rough.

Forgiveness is hard.

Life is good.

 


Thursday, September 18, 2014

Teaching History to the HSC

When you're rearing an HSC (highly sensitive child), it can sometimes be hard to judge the extent to which you should shield him from things you know will upset him. On the one hand, you want to protect him from undue stress. If he doesn't like Halloween decorations, what is there to be gained by making him go places where he's going to encounter them? At the same time, you don't want to coddle him. The older he gets, the more he's going to find himself in situations where he has to handle things on his own, without Mom or Dad going ahead to make sure it's safe. So as a parent, you look for opportunities to "gently" toughen him up (assuming that's not a total oxymoron).

Yesterday in Evan's history book* we read about the Lewis and Clark expedition. The author recounted how, when the explorers ran out of food, they were forced to kill one of the horses for meat. As I heard the words coming out of my mouth, I looked at Evan. So far, so good. He was frowning, but handling it. But then we read the next paragraph:

"The horsemeat kept them from starving. But if they killed too many horses, they wouldn't be able to move fast enough to survive. So they ate some of the hunting dogs as well. . . . "

Uh-oh. There was more about how Clark disliked the dog meat while Lewis liked it, but we didn't get that far. Instead we stopped reading and I explained to my crying son that as terrible as it sounds to us as dog lovers, the humans had to come first. Not only is a human's life more valuable than an animal's, but if the humans had died of starvation, the rest of the animals would have perished as well because there would have been no one to take care of them. Evan absorbed all of this while lying on the floor trying to comfort our own dog, who he was certain was traumatized by the history lesson.

Eventually, with the passage in question behind us and the tears stemmed, we read on. But moments later, I saw this one coming: "In all that time, only one of the party had died--from appendicitis."

Sigh. Evan has long had a fear of getting appendicitis. Did his mom do an on-the-fly edit? What do you think?

*The Story of the World, Vol. 3, Susan Wise Bauer

Saturday, September 13, 2014

The Importance of Audience

Example 1 

"I don't want to learn another language. Why do I have to study Latin? No one speaks Latin."

Example 2

"Caitlin, guess what? Mom's teaching me Latin!"